Posted by US Card Code on Apr 7th 2019
The Office (U.K., U.S.)
Creators: Ricky Gervais, Stephen Merchant; U.S. version developed by Greg Daniels
Stars: U.K.: Ricky Gervais, Martin Freeman, Mackenzie Crook, Lucy Davis, Oliver Chris, Patrick Baladi, Stacey Roca, Ralph Ineson, Stirling Gallacher; U.S.: Steve Carell
John Krasinski, Rainn Wilson, Jenna Fischer, B. J. Novak, Oscar Nunez, Brian Baumgartner, Angela Kinsey, Ed Helms, Creed Bratton, Phyllis Smith, Leslie David Baker, Kate Flannery, Mindy Kaling, Paul Lieberstein
Networks: BBC, NBC
Ricky Gervais’ immortal Britcom deserves full marks for establishing this comedy franchise that killed the laugh track and introduced us to a hilarious bunch of paper-pushing mopes. Defying expectations that it would pale in comparison, NBC’s Office became an institution unto itself. At its best, the American version was just as awkward as its predecessor, while showing a lot more heart than the gang could muster in sooty old England. Nick Marino
The Civil War
Creators: Ken Burns, Ric Burns, Geoffrey C. Ward
Stars:: Sam Waterston, Julie Harris, Jason Robards, Morgan Freeman, Garrison Keilor, George Plimpton, Studs Terkel
Network: PBS
First aired in the fall of 1990, Ken Burns’ pioneering docuseries attracted a now-unthinkable 40 million viewers over the course of five nights, and re-established the Civil War as the central hinge of American history. This alone is no mean feat; add in the series’ profound aesthetic influence, from the pans and zooms that enliven its archival images (now known as “the Ken Burns effect”) to the use of well-known actors to give voice to the era’s letters and diaries, and The Civil War emerges as one of the most important works of nonfiction ever to air on American television. One might critique its interpretation of events, in particular, Burns’ decision to paper over the sabotage of Radical Reconstruction in favor of the more optimistic narrative of reunification, but the elegiac note on which it concludes never fails to bring tears to my eyes. “History is not ‘was,’ it’s ‘is,’” the historian Barbara J. Fields remarks, as a piano taps out its lonesome rendition of “My Country, ‘Tis of Thee.” “The Civil War is, in the present as well as in the past.”
New Girl
Creator: Elizabeth Meriwether
Stars: Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris, Hannah Simone
Network: Fox
New Girl has quickly grown into one of TV’s sharpest ensemble comedies. Creator and showrunner Elizabeth Meriwether and her writing staff keep stepping up their game. While even the best network programs are susceptible to lulls in quality due to the demanding 20-plus-episode order, almost every New Girl episode plays like a spirited, comedic gem, with Meriwether and Co. expertly navigating the line between absurd silliness and heartfelt sentimentality. Not since Jim and Pam in the early seasons of The Office has there been a sitcom relationship as endearing and emotionally engaging as Deschanel’s Jess and Nick, her lovable, hard-drinking grump of a roommate (played with great gusto by the fantastic Jake Johnson). Add in memorable turns from supporting players Lamorne Morris and Hannah Simone as well as the hilarious antics of Max Greenfield as breakout character Schmidt and the return of Damon Wayans as Coach, and New Girl has officially become a new standard for excellence in the sitcom community Mark Rozeman
American Crime
Creators: John Ridley
Stars: Timothy Hutton, Felicity Huffman, Regina King, Richard Cabral, Lily Taylor, Elvis Nolasco
Network: ABC
I love seeing shows by a theater company and watching the same actors take on new roles with each production: You witness their range and their ability to assume new identities. American Crime is a repertory theater company brought to the small screen. And unlike American Horror Story, which is all flash and gore, American Crime is rooted in harsh realities. The first season tackled an Army veteran killed during a home invasion. Felicity Huffman and Timothy Hutton play his grieving parents. In the second season, they’re a headmistress and a basketball coach dealing with a sexual assault at a high school party. From these starting points the series fans out to tackle a wide array of social, racial and socio-economic issues and to show how our lives, no matter what our circumstances, are interconnected. There are never easy answers or pat resolutions. The series will haunt you and leave you thinking about it months after you’ve watched it.
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