​THE 5 BEST MOVIES ON NETFLIX TV (NOVEMBER 2017) - PART 13

The best movies on Netflix right now are not always the easiest to find. Rather than spending your time scrolling through categories, trying to track down the perfect film to watch, we’ve done our best to make it easy for you at USCardCode.com where sell Netflix Gift Certificate by updating our Best Movies to watch on Netflix list each month with new additions and overlooked crystals alike.

Here are the top 5 movies streaming on Netflix in November 2017:

Nocturama

Nocturama trusts its audience than its audience may want to be trusted. Throughout, director Betrand Bonello folds timelines, indulges in flashbacks and replays moments from different perspectives, rarely with any warning but hardly without precision or consistency, investigating the comparatively small world of his film from every angle while implying that a much bigger, much more complicated world exists outside of its admittedly limited view.

The Panic in Needle Park

It sounds like a downer, and it definitely can be, but Pacino’s energy keeps the film buoyant and interesting. New York in the late ‘60s and ‘70s represents a paradox in American history, but also a stunning symbol of American desperation and decline.

Raw

Raw is an open concession to the harrowing quality of Justine’s grim blossoming. Nasty as the film gets, and it does indeed get nasty, the harshest sensations Ducournau articulates here tend to be the ones we can’t detect by merely looking: Fear of feminine sexuality, family legacies, popularity politics, and uncertainty of self-govern Raw’s horrors as much as exposed and bloody flesh. It’s a gorefest that offers no apologies and plenty more to chew on than its effects.

Mustang

Mustang, the debut film of Turkish-French filmmaker Deniz Gamze Ergüven, her neorealist chronicle of femininity bound against its will to draconian gender politics. From start to finish, the film crackles with gelid fury, though Ergüven doesn’t tip the outrage scale into histrionics, because she doesn’t need to. We can sense exactly how pissed off she is behind the lens.

Funny Games (US)

Funny Games toys with chronology, with narrative, with the audience’s many expectations, fulfilling all but resolving none. In 2007, Haneke remade his own film, shot for shot, for American audiences (purposely casting the recognizable personalities of Naomi Watts and Tim Roth), litigating our notions of cinema and violence and the nexus of both within the ways we understand such horror narratives to end. Because the point is that we recognize these faces as famous, and so we familiarize ourselves with them immediately. Funny Games is far from a traditional horror film, but it is, without a doubt, one of the scariest things you will see through to the end, all the while hoping that won’t be exactly how you know it will.

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