​THE 5 BEST MOVIES ON NETFLIX (NOVEMBER 2017) - PART 11

The best movies on Netflix right now are not always the easiest to find. Rather than spending your time scrolling through categories, trying to track down the perfect film to watch, we’ve done our best to make it easy for you at USCardCode.com where sell Netflix Gift Code Online by updating our Best Movies to watch on Netflix list each month with new additions and overlooked crystals alike.

Here are the top 5 movies streaming on Netflix in November 2017:

Okja

Okja takes more creative risks in its first five minutes than most films take over their entire span, and it doesn’t let up from there. What appears to be a sticking point for some critics and audiences, particularly Western ones, is the seemingly erratic tone, from sentiment to suspense to giddy action to whimsy to horror to whatever it is Jake Gyllenhaal is doing. Okja is also not a film about veganism, but it is a film that asks how we can find integrity and, above all, how we can act humanely towards other creatures, humans included.

The African Queen

The African Queen, delivers their provisions—and, one day, the news that war has broken out between Germany and Britain. Germans burn down the village, a soldier beats Samuel and he soon dies from complications of the incident. Charlie comes to get Rose out of the area; Rose comes up with a plan to torpedo a German gunboat. The initial plan fails but the surprisingly scrappy and enterprising Rose is undeterred. The pair encounter a series of rapids and perils that are, of course, not at all metaphorical, and over time, strike up an unlikely but also inevitable relationship.

April and the Extraordinary World

April and the Extraordinary World is pretty great, a compact exercise in world-building without handholding that rewards a patient, observant audience. If you can keep pace with the film’s plot deployment, you’ll be in for a wonderful ride littered with talking cats, fabulous steampunk backdrops, rollercoaster excitement and terrific characters, all drawn through the fundamental beauty of cel animation. April and the Extraordinary World reminds us of the aesthetic value of traditional animation and the necessity of human ingenuity, all without treating its audience like idiots.

Gerald’s Game

Every one of these films centers around a strong-willed female lead, as does Gerald’s Game. Is this coincidence? Or is the director drawn to stories that reflect the struggle of women to claim independence in their lives by shedding old scars or ghosts, be they literal or figurative? Either way, it made Flanagan an obvious fit for Gerald’s Game, an unassuming, overachieving little thriller that is blessed by two performers capable of handling the lion’s share of the dramatic challenges it presents.

My Life as a Zucchini

My Life as a Zucchini’s lively hues and livelier magnanimity. Tonally, Barras struggles in almost every scene, especially when the heaviness of his characters’ lives aren’t given the seriousness such heaviness demands, and optimism threatens to obfuscate the crimes of the adults whose choices led to these kids’ situations so directly. Still, if all Barras is trying to say is that human beings are essentially good—contrary to popular opinion at the moment—then that should be enough. 

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