​The 5 Best Movies on Netflix (November 2017)

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Here are the top 5 movies streaming on Netflix in November 2017:

The Big Short

The Big Short, Adam McKay’s kaleidoscopic look into the months leading up to the 2007 financial meltdown, is an angry film. And rightfully so—a number of callous thievery characters uncover here is enough to make any rational person’s blood boil. It’s also, unquestionably, a funny film, tempering its acerbic leanings by highlighting just how blatantly surreal the whole ordeal truly was.

The Wailing

The U.S. title of Na Hong-jin’s The Wailing suggests tone more than it does sound. There is wailing to be heard here, and plenty of it, but in two words Na coyly predicts his audience’s reaction to the movie’s grim tableaus of a county in spiritual strife. Though The Wailing ostensibly falls into the “horror” bin, Na trades in doubt and especially despair more than in what we think of as representing the genre.

Christine

The brilliance of this Antonio Campos drama is that it tries to answer that question while still respecting the enormity and unknowability of such a violent, tragic act. Rebecca Hall is momentous as Christine, a deeply unhappy woman whose ambition has never matched her talent, and the actress is incredibly sympathetic in the part. As we move closer to Christine’s inevitable demise, we come to understand that Christine isn’t a morbid whodunit but, rather, a compassionate look at gender inequality and loneliness

The Void

The Void attempts to push audiences into another dimension, but manages at least a few successful frights along the way.

The Fury

bringing back Amy Irving to star and convincing both Kirk Douglas and John Cassavetes to buy in. Somewhere between a thriller and a sci-fi horror, never quite able (or seemingly interested) in attaching to any particular tone of genre, The Fury splits its time between two narratives: the Fugitive-like travails of Peter Sandza (Douglas) as he avoids capture at the hands of his former super-secret government employers—which can be hilarious, because there’s no way anyone couldn’t pick out Douglas’s formidable chin dimple out of a crowd—while searching for his son (Andrew Stevens), who, he learns, is being held by the same government agency due to the teen’s valuable brain powers; and the slight coming-of-age tale of Gillian Bellaver (Irving), coming to terms with her own psychic skills.