Posted by US Card Code on Jan 22nd 2018
Using iTunes Digital Code to get credit and buy or rent all of those in iTunes Store. Many of the cable companies have branded their Movies on Demand service. The selections are up to date as of January 8, 2018, but cable providers change their film on-demand offerings regularly. We mostly limited it to new VOD movies available to rent for less than $10, though a few are just available to buy now.
Here are the 5 Best Movies on Demand:
Wonder Woman
Wonder Woman is lightyears better than anything else the newfangled DC cinematic universe has produced. It’s not quieter necessarily, but it is more measured, more comfortable in its own skin, less fanboy desperate to keep waving keys in front of your face - exploding keys - make sure it has the full attention of all your assaulted senses. It feels almost old-fashioned in its themes of the goodness of humanity - and the debate alien outsiders have about whether or not humans are worthy of redemption - and the selflessness of one for a greater good.
mother!
mother! is a kitchen sink movie in the most literal sense: There’s an actual kitchen sink here, Aronofsky’s idea of a joke, perhaps, or just a necessarily transparent warning. mother!, though, is about everything. Maybe the end result is that it’s also about nothing. But it’s really about whatever you can yank out of it, its elasticity the most terrifying thing about it.
The Lost City of Z
Every frame is sumptuous and misty-eyed, always pining for a lost era when adventurers might still find corners of the Earth completely untouched. (Gray may show little love for Empire, but he depicts colonial exploration in itself as a romantic adventure.) The film doesn’t make for much complexity, but it feels deeply. Like Fawcett, it aches—like his obsession, the jungle, it envelops, casting a lasting spell.
Good Time
Good Time features no shootouts or car chases - there isn’t a single explosion in the whole film. The Safdies and Pattinson don’t need any of that. Like Connie, they thrive on their wits and endless inventiveness - the thrill comes in marveling at how far it can take them.
It Comes at Night
It Comes at Night an atypical horror movie, but - it’s already obvious after only two of these—Shults makes horror movies to the extent that everything in them is laced with dread, and every situation suffocated with inevitability. For his sophomore film, adorned with a much larger budget than Krisha and cast with some real indie star power compared to his previous cast (of family members doing him a solid), Shults imagines a near future as could be expected from a somber flick like this. A “sickness” has ravaged the world and survival is all that matters for those still left. In order to keep their shit together enough to keep living, the small group of people in Shults’s film have to accept the same things the audience does: That important characters will die, tragedy will happen and the horror of life is about the pointlessness of resisting the tide of either.
What do you think of all of those? Please leave your comments below for your better list.