​Redeem Hulu Certificate Code to enjoy The 5 Best TV Episodes of 2017 - Part 4

After all, an uneven series, or one already on the wane, can still produce 22 to 60 minutes or so of extraordinary storytelling and USCardCode.com has a selection of the 5 Best TV Episodes of 2017 reflects the fundamental strength of the art form. Totally, You can use Hulu Digital Code with email delivery service to enjoy it right now on HULU Channel.

Halt and Catch Fire, “Goodwill”

the episode’s finest sequence is so full with the gut-work of living and dying I’m sort of incredulous it even exists: In its juxtaposition of Gordon’s grandmother’s china and Donna’s completion of Pilgrim, it underscores the series’ central thrust, which is to suggest that both analog and digital contain the same human purpose, the filaments from which a connection is made. Maybe generations of Clark women will pass down that box of plates unopened, but isn’t that still a way of tracing all the lives that touched it before? And isn’t that the same feeling Donna and Cam find in Pilgrim, reaching out into the ether and drawing in some comfort, some sustenance, from having known,

Crazy Ex-Girlfriend, “Josh’s Ex-Girlfriend Is Crazy”

Rachel Bloom and Aline Brosh McKenna’s one-of-a-kind musical comedy has continued to push the genre’s boundaries in Season Three, from its delightfully cheeky numbers (the ABBA-inspired “The Very First Penis I Saw,” for one) to its balanced-on-a-knife’s-edge depiction of the jilted Rebecca Bunch (Bloom) confronting borderline personality disorder.

Sweet/Vicious, “Heartbreaker”

Sweet/Vicious’ too-brief 10 episodes, however, it was not the thrilling, cathartic violence that ultimately made the most impact, but the dark origin story we’re given in “Heartbreaker,” smack in the middle of the season, which unspools an unblinking depiction of Jules’ (Eliza Bennett) own rape at the hands of her best friend’s boyfriend and the screamingly unjust fallout from it, which set her down the path of vigilanteism in the first place. (Keene’s use of on-screen text as Jules tremblingly starts, then aborts, a text to her rapist about what happened to her once she gets back to her sorority is a breathtaking use of a now-ubiquitous device.) Told through flashbacks as a shellshocked Jules joins Ophelia (Taylor Dearden) and Harris (Brandon Mychal Smith) in joyfully drinking their way through a friendship-celebrating Opharris Day, Jules’ rape becomes a tangible lodestone that simultaneously clarifies her motivations and trauma while proving that she is not defined by either.

Nathan For You, “Finding Frances”

Nathan For You could sometimes get, underlying all of Nathan Fielder’s interactions with struggling business owners and their customers was a feeling of empathy. Nathan’s ideas may go far afield from the norm, but there was never any malicious intent behind any of it. The strange compassion in the show was never more evident than in the movie length season finale that followed Nathan’s efforts to reunite a former guest on the show, Bill Heath, with a woman from his past. The two men take a convoluted and increasingly uncomfortable excursion into Bill’s former stomping grounds of Arkansas.

Twin Peaks: The Return “Part VIII”

Did the advent of nuclear weaponry give birth to the Black Lodge and the demonic BOB? Or has it always been there? Will the real Dale Cooper please stand up? David Lynch delivered a Killer BOB origin story and one of the most astonishing hours of television I have ever seen in my life with “Part VIII.” For a minute it seemed like Evil Cooper might have been killed, but Evil is of course deathless. There was an intermezzo performance by Nine Inch Nails. Then, 41-plus minutes of almost pure symbolism and mythography.

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